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Angels We Have Heard on High: bass part

The bass part of Angels We Have Heard on High in G, from G2 to G3. Hear it on its own or with the others, then sing it and watch each note light up.

Sings the roots of the chords, mostly on G, low and high, and D, up to its top G only in the verses: at the end of each first line (on "high,", the "lee?" of "jubilee?" and "see"), on the first, third and fifth notes of each second line ("Sweet-", "sing-" and "o'er"; "Why", "rap-" and "strain"; "Him", "birth" and "an-") and on the first syllable of "joyous", "heavenly" and "new-born" in the fourth lines; and down to its low G on the first two notes of each verse ("Angels", "Shepherds," and "Come to"), on the first word of its third and fourth lines and the last word of its second, third and fourth, and, in each refrain, on "Glo-" at the start of the run's first and third bars and on the last syllable of "Deo.".

Range
G2 to G3
Key
G
Guide voice
The app's own voice

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How to learn the bass part

  1. 01 · Your part

    Hear your part on its own until the tune of it is in your ear.

  2. 02 · With the others

    Hear it with the others, so you know where it sits in the chord.

  3. 03 · Sing it

    Sing it with the others under you and watch each note light up as you land it. The mic listens only while it plays, and nothing is recorded.

About Angels We Have Heard on High

Words: English words attributed to James Chadwick (by 1862), from the French carol "Les anges dans nos campagnes"

Tune: Traditional French carol ("Gloria")

Angels We Have Heard on High is the English form of a French carol, Les anges dans nos campagnes, sung with its refrain left in Latin: Gloria in excelsis Deo, glory to God in the highest. Its English words began with James Chadwick, in a London hymn book of 1860, and The Crown of Jesus, a Catholic prayer book printed in London in 1862, gave them the opening sung today. Our tune and words are read from Charles L. Hutchins's Carols Old and Carols New, printed in Boston in 1916, where it is headed Old French Carol, and written here a tone higher, in G: the soprano sings his tune, and the alto, tenor and bass are our own, checked against the chords of the four-part setting on his page. This is verses 1 to 3 of his four, for 2 to 4 singers, each followed by the Gloria, where the tune's long run on "Glo-" falls over the others' held notes.

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Stackapella recording a part: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording a part: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording a part: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording a part: each note is a bar with its name, and the one being sung says A little low, go up.
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