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Come, Thou Fount of Every Blessing: alto part

The alto part of Come, Thou Fount of Every Blessing in Eb, from G3 to Bb4. Hear it on its own or with the others, then sing it and watch each note light up.

Sings close under the tune, mostly on E-flat, and climbs with everyone to B-flat on "melodious" and "flaming".

Range
G3 to Bb4
Key
Eb
Guide voice
The app's own voice

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How to learn the alto part

  1. 01 · Your part

    Hear your part on its own until the tune of it is in your ear.

  2. 02 · With the others

    Hear it with the others, so you know where it sits in the chord.

  3. 03 · Sing it

    Sing it with the others under you and watch each note light up as you land it. The mic listens only while it plays, and nothing is recorded.

About Come, Thou Fount of Every Blessing

Words: Robert Robinson (1758)

Tune: "Nettleton", from Wyeth's Repository of Sacred Music, Part Second (1813)

Come, Thou Fount of Every Blessing has words by Robert Robinson, who wrote them in his early twenties; his own list of his writings dates the hymn to 1758. Its tune, Nettleton, has its earliest known printing in John Wyeth's Repository of Sacred Music, Part Second, in 1813. It is named after the preacher Asahel Nettleton, and some books credit him with it, but who wrote it is not known. Our arrangement is read from the four parts The Methodist Hymnal printed in 1905, in E-flat. This is the first verse for 2 to 4 singers, bright and lilting in three, every line one breath.

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Stackapella recording the alto part of Amazing Grace: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording the alto part of Amazing Grace: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording the alto part of Amazing Grace: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording the alto part of Amazing Grace: each note is a bar with its name, and the one being sung says A little low, go up.
  • A guide sings your partHear your line over the others, slow it down, then take your turn.
  • Your notes light upEach note shows where you landed, and a hint when to go up or down.
  • Record every part yourselfStack your takes in time until you're the whole choir.

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