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O Come, O Come, Emmanuel: tenor part

The tenor part of O Come, O Come, Emmanuel in Em, from E3 to C#4. Hear it on its own or with the others, then sing it and watch each note light up.

Sings the words in the middle of the chord, mostly on G, up to its top C-sharp only on the note before the end of each verse's third line (the "ile" of "exile", the "ple" of "people" and "of" in "clouds of night"), and down to its low E on many notes, among them the "Is-" and "el" of every "Israel" and the first word of each verse's third line ("That", "From" and the "Dis-" of "Disperse").

Range
E3 to C#4
Key
Em
Guide voice
The app's own voice

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How to learn the tenor part

  1. 01 · Your part

    Hear your part on its own until the tune of it is in your ear.

  2. 02 · With the others

    Hear it with the others, so you know where it sits in the chord.

  3. 03 · Sing it

    Sing it with the others under you and watch each note light up as you land it. The mic listens only while it plays, and nothing is recorded.

About O Come, O Come, Emmanuel

Words: John Mason Neale (1851), as altered for Hymns Ancient and Modern (1861)

Tune: "Veni Emmanuel", from the Hymnal Noted (musical editor Thomas Helmore)

O Come, O Come, Emmanuel is the Advent hymn that John Mason Neale translated from the Latin "Veni, veni, Emmanuel", sung to the tune Veni Emmanuel from the Hymnal Noted, whose musical editor was Thomas Helmore. There Neale's words begin "Draw nigh, draw nigh, Emmanuel". The earliest printing we have read that opens "O come, O come, Emmanuel" is Hymns Ancient and Modern of 1861. Our tune and words are read from that book's revised edition of 1875, in a later printing, in E minor as printed, and our harmony from W. H. Monk's four parts in the 1861 edition: the soprano sings the tune, and the lower parts are adapted for beginners. This is verses 1 to 3 of the five the book prints, for 2 to 4 singers, each with the refrain "Rejoice! Rejoice! Emmanuel": captive Israel waiting, the Rod of Jesse, and the Dayspring that puts death's dark shadows to flight.

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Stackapella recording a part: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording a part: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording a part: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording a part: each note is a bar with its name, and the one being sung says A little low, go up.
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