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Ye Banks and Braes o' Bonnie Doon: tenor part

The tenor part of Ye Banks and Braes o' Bonnie Doon in G, from D3 to D4. Hear it on its own or with the others, then sing it and watch each note light up.

Sings the words in the middle of the chord, mostly on D and G, with many repeated notes, and drops to its low D, an octave under its top note, only at the very end of each verse, on "turn." of "return." and on "me.".

Range
D3 to D4
Key
G
Guide voice
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How to learn the tenor part

  1. 01 · Your part

    Hear your part on its own until the tune of it is in your ear.

  2. 02 · With the others

    Hear it with the others, so you know where it sits in the chord.

  3. 03 · Sing it

    Sing it with the others under you and watch each note light up as you land it. The mic listens only while it plays, and nothing is recorded.

About Ye Banks and Braes o' Bonnie Doon

Words: Robert Burns (printed 1792)

Tune: "The Caledonian Hunt's Delight", by James Miller, fashioned into a tune by Stephen Clarke (printed 1792; sung here as G. F. Graham printed it in 1849)

Ye Banks and Braes o' Bonnie Doon is Robert Burns's song of a broken heart by the river Doon. Its earliest known printing is in 1792, in the fourth volume of James Johnson's Scots Musical Museum, whose index credits the music to "Mr James Millar Writer in Edinr.": in Scotland, a writer was a lawyer. Burns later told how the organist Stephen Clarke, "partly by way of joke", told Miller "to keep to the black keys of the harpsichord, and preserve some kind of rhythm, and he would infallibly compose a Scots air"; Clarke shaped the result into this tune. We sing Burns's words as Johnson printed them, to the tune as G. F. Graham printed it in 1849, in the second volume of his Songs of Scotland, in G, with four parts of our own: both verses, for 2 to 4 singers, slow and tender.

All about Ye Banks and Braes o' Bonnie Doon More folk songs, part by part

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Stackapella recording the alto part of Amazing Grace: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording the alto part of Amazing Grace: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording the alto part of Amazing Grace: each note is a bar with its name, and the one being sung says A little low, go up. Stackapella recording the alto part of Amazing Grace: each note is a bar with its name, and the one being sung says A little low, go up.
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